{"id":821,"date":"2007-09-22T21:18:34","date_gmt":"2007-09-23T04:18:34","guid":{"rendered":"http:\/\/www.originalprop.com\/blog\/?p=821"},"modified":"2008-08-17T10:27:41","modified_gmt":"2008-08-17T17:27:41","slug":"authenticity-burden-of-proof-part-ii-inauthentic-props","status":"publish","type":"post","link":"https:\/\/www.originalprop.com\/blog\/2007\/09\/22\/authenticity-burden-of-proof-part-ii-inauthentic-props\/","title":{"rendered":"Authenticity &#038; Burden of Proof, Part II: Inauthentic Props"},"content":{"rendered":"<p>This is a follow-up to an article I wrote back in May, &#8220;<a href=\"http:\/\/www.originalprop.com\/blog\/?p=208\" target=\"_blank\">Authenticity &amp; Burden of Proof<\/a>&#8220;.<\/p>\n<p>In the prior article, I made the argument that a discerning collector should approach a potential prop or costume or other artifact acquisition as an unknown, or inconclusive in terms of it&#8217;s being &#8220;Original&#8221; (see <a href=\"http:\/\/www.originalprop.com\/blog\/?p=18\" target=\"_blank\">What is &#8220;Original&#8221;?<\/a>).  Authenticity must then be proven.  This is a different perspective from those that believe what they are told about a piece, without question.<\/p>\n<p>I&#8217;ve always felt that some collectors operate within a &#8220;hopeful marketplace&#8221;, and being a hobby (which for most equates to fun), being skeptical of potential acquisitions and asking tough questions takes the fun out of it.  This goes hand in hand with what I&#8217;ve called &#8220;I Want to Believe&#8221; (see article, <a href=\"http:\/\/www.originalprop.com\/blog\/?p=21\" target=\"_blank\">Trend: &#8220;I Want to Believe&#8221;<\/a>).<\/p>\n<p>Two &#8220;tools&#8221; I&#8217;ve put together, in the form of opinion pieces, to help collectors proceed in a more discerning manner, are these articles:<\/p>\n<ul>\n<li><a href=\"http:\/\/www.originalprop.com\/blog\/?p=381\" target=\"_blank\">Instruments of Authenticity &amp; Chain of Ownership<\/a><\/li>\n<li><a href=\"http:\/\/www.originalprop.com\/blog\/?p=192\" target=\"_blank\">The Original Prop Purchase Checklist &amp; Questionnaire<\/a><\/li>\n<\/ul>\n<p>Directly related to the dichotomy of &#8220;assumed authentic&#8221; vs. &#8220;assumed inconclusive&#8221;, when first considering a prop or costume, I&#8217;ve also seen two different approaches to questionable pieces.  With one or a few questions raised, I&#8217;ve seen hobbyists jump to conclusions that a piece is inauthentic, or going further (making a strong statement as to the intent of the seller or prior owner), that a piece is fraudulent.  As with the assumptions of legitimacy and authenticity, I think it is just as important to reserve negative judgments on pieces, and again assume inconclusive until truly proven to be inauthentic.<\/p>\n<p>In short&#8230;  I think conclusions of either &#8220;authentic&#8221; (or good) and &#8220;inauthentic&#8221; (or bad) must be proven.<\/p>\n<p>I think it is best to assume any piece to be inconclusive at the start, and to build a case, with material facts, toward a conclusion of either &#8220;authentic&#8221; or &#8220;inauthentic&#8221;.  Some pieces, under this philosophy, may never advance beyond a characterization of &#8220;inconclusive&#8221; &#8211; without good information, it&#8217;s highly likely a piece can never be fully vetted.<\/p>\n<p>Within each of these three broad categories: &#8220;Authentic&#8221;, &#8220;Inconclusive&#8221;, and &#8220;Inauthentic&#8221;, there are a variety of subsets.<\/p>\n<p>&#8220;Authentic&#8221; props must merely pass the tests of <a href=\"http:\/\/www.originalprop.com\/blog\/?p=18\" target=\"_blank\">What is &#8220;Original&#8221;?<\/a>.  Under the umbrella of Authenticity, a particular piece can be merely &#8220;from the production&#8221;, it can be a prototype, an unused back-up piece, a stunt piece, a hero piece, screen-matched, etc.  All of those conditions reflect an &#8220;authentic&#8221; piece.<\/p>\n<p>By the same token, an &#8220;inauthentic&#8221; piece could involve fraud, or be a few times removed, or be a resold piece from an undiscerning collector, or be a replica mistaken as an original piece, or any variety of possibilities in which a piece simply is not &#8220;Original&#8221;.<\/p>\n<p>Under the &#8220;inconclusive&#8221; category, a piece is truly either authentic or inauthentic, it simply cannot be definitively proven to be one or the other with the available information.<\/p>\n<p>As noted, beyond characterizing a piece as &#8220;inauthentic&#8221;, making serious charges of fraud should, in my opinion, be absolutely backed up with material facts that cannot be disputed.<\/p>\n<p>I think, as collectors, its important to be both discerning as well as fair and responsible in how we talk about props and other participants in the hobby.<\/p>\n<p>Jason De Bord<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is a follow-up to an article I wrote back in May, &#8220;Authenticity &amp; Burden of Proof&#8220;. In the prior article, I made the argument that a discerning collector should approach a potential prop or costume or other artifact acquisition as an unknown, or inconclusive in terms of it&#8217;s being &#8220;Original&#8221; (see What is &#8220;Original&#8221;?). [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_genesis_hide_title":false,"_genesis_hide_breadcrumbs":false,"_genesis_hide_singular_image":false,"_genesis_hide_footer_widgets":false,"_genesis_custom_body_class":"","_genesis_custom_post_class":"","_genesis_layout":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,2000],"tags":[171,403,132,372,21,428,97,398,1881,18,20,98,75,24],"class_list":{"0":"post-821","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-editorials-features","7":"category-featured-articles","8":"tag-authentic","9":"tag-authentication","10":"tag-authenticity","11":"tag-certificate-of-authenticity","12":"tag-costume","13":"tag-fake","14":"tag-fraud","15":"tag-hobby","16":"tag-inauthentic","17":"tag-original","18":"tag-prop","19":"tag-provenance","20":"tag-studio","21":"tag-wardrobe","22":"entry"},"yoast_head":"\n<title>Authenticity &amp; Burden of Proof, Part II: Inauthentic Props - Movie Prop Collecting with Jason DeBord&#039;s Original Prop Blog Film &amp; TV Prop, Costume, Hollywood Memorablia Pop Culture Resource<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.originalprop.com\/blog\/2007\/09\/22\/authenticity-burden-of-proof-part-ii-inauthentic-props\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Authenticity &amp; Burden of Proof, Part II: Inauthentic Props - Movie Prop Collecting with Jason DeBord&#039;s Original Prop Blog Film &amp; TV Prop, Costume, Hollywood Memorablia Pop Culture Resource\" \/>\n<meta property=\"og:description\" content=\"This is a follow-up to an article I wrote back in May, &#8220;Authenticity &amp; Burden of Proof&#8220;. 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