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Work in Progress: The Ultimate Original Prop COA, Part I

September 25, 2007 By Jason DeBord

I thought it would be productive to initiate a hobby-wide discussion of what the “Ultimate COA” would call for, look like, detail, include, and provide to the owner of an original prop, costume, or other artifact from a production.

As discussed in many other articles on the OPB, I generally have a fairly unfavorable opinion of most COAs, in that they typically do not address the foundational components of authenticity: origin, history of ownership, use in the production, etc.

So what information would be included in the “Ultimate” COA?

Here is my first draft list, based in part on several past articles: “Original Prop Provenance & Authenticity, Part 1“, “The Original Prop Purchase Checklist & COA“, “Instruments of Authenticity & The Chain of Ownership“, and others.

The Ultimate Original Prop COA, ver 1.0

Name of Prop: _________________________

Detailed Description of Prop: _________________________

Name of Property (Film or Television Program): _________________________

COA Issued By (Company Name, if applicable): _________________________

COA Issued By (Author’s Name, Signature, Date of Signature): _________________________

Date of Sale: _________________________

Purchaser: _________________________

History of Ownership (Names and Dates): _________________________

Sale History (Seller/Buyer, Dealers/Auction Houses/Retailers, Venues, Locations, Dates): _________________________

Checklist: Privatization – Circumstances by which the Original Piece Left the Production and/or Studio (Studio Sale, Gift, Principal, Other, Unknown)

Narrative: Privatization – Circumstances by which the Original Piece Left the Production and/or Studio?: _________________________

Checklist: “Guarantee” of Authenticity (Yes, No)

Guarantor(s): _________________________

Narrative/Attachment(s): Copy/Copies of any Past and/or Current Dealer/Retailer/Auction House “Guarantees”: _________________________

Checklist: Screen-Match? (Yes, No, Unknown), including applicable photography/comparisons

Narrative: Specific Use in Production, if Known: _________________________

Narrative: First Hand Authority – Verification of Authenticity, Use, or Other – Signed & Dated by Authority: _________________________

Narrative: Second Hand Authority – Verification of Authenticity, Use, or Other – Signed & Dated by Authority: _________________________

Checklist (one or more):

  • Pre-Production, Production, Post Production,
  • Prototype, Hero, Stunt, Hard Rubber, Soft Rubber, Background, Back-Up, Working, SPFX, Used, Unused, Used/Worn By ______, Filmed, Unfilmed, Screen-Matched, One of a Kind, Made for/Not Used in Production, Photo Double, Stand In, Production Used
  • Blank Fire, Live Fire, Decommissioned/Deactivated (U.S.), Decommissioned/Deactivated (U.K.),
  • Costume Tag, Asset Tag, Studio Writing, ,

Narrative: Explanation and Verification of Any Checked Above: _________________________

Checklist: Has the Piece Been Altered In Any Way Post Production? (Yes, No – Paint, Restoration, Repair, Replace, Autograph, Other)

Narrative: Explanation/Details of Any Post Production Alterations: _________________________

Narrative: State of the Replica Marketplace – Any Copies, Castings, Licensed Replicas, Unlicensed Replicas? _________________________

Narrative: Any Tells Specific to this Original Prop or Costume? _________________________

Attachment(s): Formerly Issued COAs/LOAs/Auction Catalog(s)/Rental Agreements/Studio Letter or COA/Other with Manifest

Attachment(s): Current Photo of Original Piece, Signed and Dated By Seller

Attachment(s): CD/DVD with Manifest Outlining All Electronic Provenance Available

Attachment(s): Originals/Copies of all Hard Copy Provenance Available, with Manifest

  • Studio/Production-Issued Documentation/Provenance
  • Non-Studio/Production-Issued Documentation/Provenance

~

It probably goes without saying, but it would obviously be a challenge to fill out each and every field and query, but in many cases, I would think a majority could be answered.

I’m interested in feedback from anyone who would like to share. What else would you include, alter, exclude, from the outline above?

Even if partially completed by a seller, of what value would such a document be to you, the buyer? Would you pay a premium for an original prop or costume that was accompanied with a COA of such detail?

Would you take the time to draft, what I would rename a “Record of Provenance & Authenticity“, for original props and costumes currently in your own collection? If anything, as an exercise in outlining the provenance of your own pieces, and to determine where further research and investigation might be warranted?

Jason De Bord

Filed Under: Editorials, Featured Articles Tagged With: certificate of authenticity, coa

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